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hazinhoodies · 6 years ago

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October part 4

A/N: i had this ready for so long and decided to rewrite it last night and i didn’t proofread to the best of my abilities so im sorry. all parts are tagged under october fic

Warnings: none

Word count: 2k (the longest chapter so far at least)

Emma and Hannah talked for the rest of the night about anything they could. When no one spoke, they sat in a comfortable silence until it was broken with one of them sarcastically threatening the other or speaking with no provocation.

“Cough one more time and I’ll throw you in the lake” -Emma 9:34

“What do you think our pets name us?” -Hannah 9:57

“Thanks, I hate it” -Emma 10:22

“How confused do you think a lion would be if it saw an octopus?” -Hannah 10:49

“Frankenstein is oddly symmetrical” -Also Hannah

After the last one Emma finally looked up. “You know, it’s times like these when I wonder how we ever became friends’

“We were both lonely so we decided to be lonely together”

“Ah right, the greatest mistake of my life” Emma recalled. Hannah’s jaw dropped in shock

“Emma!”

“Okay okay i’m sorry” Emma couldn’t hold back her laughter “I should probably go, it’s getting late here” She glanced at the clock 11:52pm.

“Oh sure break my heart and run away why don’t you” Hannah spoke flatly before they said their goodbyes and hung up.

Emma hadn’t noticed how dark her room had actually become until Hannah had hung up. Her laptop providing the only light in the room. She quickly changed and got into bed, pulling the duvet up over her shoulders. She started to ponder the events of the day, almost definitely overthinking everything. How could you have already made him hate you.

Harrison lied awake in his bed, he’d been struggling to sleep for a while. The photo still etched into his brain. Did something happen? Was it just for a project? He’d never craved answers so much. If he could actually talk to her without making a fool of himself then maybe he’d get them. After about another hour and a glass of water, sleep finally took over.

A few days had passed and went pretty well. Emma had already figured out how to get around set, at least to the important parts; Her trailer, Toms trailer, Z’s, Jacob’s. The important ones. Her first interview of the day was Tony, she had to wait an hour or so for Z and Jacob to finish their next scene so she stayed in Tony’s trailer and talked with him.

They asked each other an abundance of questions. By the end of it Tony could have probably written her biography. Emma could have answered any questions you had about him. Favourite food? Favourite colour? She knows it.

“You and Tony got real close huh?” Z asked after her interview.

Emma shrugged “I guess so. I mean, he’s really nice and we had an hour to kill so we just.. Talked. Things just flowed. It was a nice change honestly”

‘Change from what?” Z looked over at her as Emma sighed. “Come sit here, we’re gonna be awhile” she patted the seat next to her and Emma sat down.

“A change from from what?” Zendaya repeated

“Holland and co” Emma paused “They're all super nice don’t get me wrong, Sam and I constantly. Just whenever Harrison is there things get kinda awkward”

Zendayas features soften, her voice filled with sympathy “He’s just like that sometimes I guess. Tom and him have been friends for years already. Just don’t take it to heart Em.” Emma nodded “Good. Now tonight you’re coming back to my hotel with me and we’re gonna talk got it? Great”

Emma chuckled “I see that i get no say in this whatsoever”

Zendaya shook her head “None at all”

Once Z wrapped, her driver drove both of them back to her hotel, which was significantly larger than Emmas.

“Okay important stuff first” Zendaya starts as soon as the door shuts behind them. “Hogwarts house. Favourite musical. Favourite band or artist or whatever” she counts them off on her fingers as she speaks.

Emma smiled “Ravenclaw, les mis or grease, probably Bowie”

“Bowie, really?” Zendaya echoed as they sat down on the couch, Emma nodded

“Yeah or maybe the Beatles” Zendaya looked shocked “What do you think i only ever listen to orchestra music?”

“No just didn’t picture you as a classic rock fan”

“I’m just full of surprises” Emma spoke sarcastically.

“Okay well I still know nothing about you and that seems kind of unfair considering you could google everything about me. So tell me stuff” Z leaned in closer, whispering the last sentence

“How personal do you want me to get?” Emma asked

“As much as your comfortable with” Z explained.

“I mean if were going all the way back I lived with my mom growing up, bout an hour outside of Toronto, never really knew my dad. I have a few vague memories but he left when I was six so they aren’t much. I’ve always been pretty music-oriented and my family never knew where I got it from. They were all science and math people My best friend, Hannah, we met when we were 7 at a youth band thing and have been stuck together since. We did everything together. We actually both graduated early and applied to the same universities but she stayed in the city to do musical neuroscience and I moved six hours away for performance music and then switched into composition” Emma ended.

“What about like dating and stuff? There's no way you’ve never had a boyfriend” Z leaned back, resting her elbow on the back of the couch, holding her head up.

“I dated the same guy for all four years of high school and into uni” Zendaya’s eyes went wide “Yeah it was really good at first but around the end of my junior year it got ugly. But we’d been dating so long I was almost convinced that it was normal. Once I got into university it got really bad and that’s when I came to my senses” Emma spoke calmly. Something about Z made her easy to trust.

The rest of the night went by quickly. They talked, ordered food, and watched Brooklyn Nine-Nine for the rest of the night.

The next two weeks on set went by pretty much the same. When Emma wasn’t doing post-scene interviews, she was in either Toms, Zs or Tony’s trailer. She had become pretty close with some more of the cast, particularly Jacob and Remy, definitely the most comfortable with Tony though. She’d grown pretty close with Sam and Harry. Even becoming closer with Harrison. To the point were the two of them plus Sam watched the dark knight rises in Tom’s trailer after Emma had admitted to never having seen it. Even still, it was always fleeting gazes or staring way too long with both of them, neither approaching the other unless someone else was there, and still, they were all stutters and flushed cheeks.

Emma had not had a good morning so far. It was Michael’s last day on set for a while so it was going to be only her now. Of course the first day without Michael and she woke up late and couldn’t get her coffee maker to work and found that the pants she’d planned on wearing, she hadn’t packed. Instead opting for a black skirt and a yellow top with the same pair of ankle boots as always, her hair pulled into a ponytail. Michael had gone in early so the drive to set was just Iris and Emma. It was slightly awkward, normally Michael would be the one to speak up and start conversations but without him there it was silent. The only good part of her morning so far, had been Iris offering to stop and get coffee when Emma told her of her morning so far.

Once she was out of the car, Emma started towards her and Michaels trailer, coffee in hand and her bag on her back. She felt her phone start to ring and pulled it out of the waistband of her skirt and with one hand, answered it holding it up to her ear

“Oh perfect you answered” Michael started, not even giving emma time to say hello “I have some stuff for you to listen to once you get here. I’d really like your input”

“Okay. Iris just dropped me off I’ll be there in like two minutes” Emma found herself walking in between the abundance of trailers.

“Great. You remember which one right?”

“Yes of course I do Michael, it’s been two weeks. I’ll be fine. Bye”

“Okay well just text if you get lost. Bye now”

Emma pushed her phone back into her waistband. She looked up, but not soon enough to avoid the chest she walked straight into, the other person also on their phone.

Harrison

Emma stumbled back, dropping her pretty much full coffee on the ground. Harrisons hands immediately went to her waist to stabilize her, feeling her stiffen underneath his touch.

“Sorry about that, I should’ve been paying more attention” Emma looked up at Harrison. He was easily six inches taller than her. Everything she’d worried about during the very first interview had come true. She wasn’t able to look away now. She noticed the smallest details about him that she hadn’t before. Like the way his eyes got more green towards the outside, or the light stubble along his jaw, or how his cheeks seemed slightly more pink than normal.

“It’s alright darling, just watch out next time, yeah?” Harrison gave a small smile and Emma nodded. They were both lost in each other for a few moments. As if they were trying to memorize every detail of the other. Like the faint freckles scattered across her nose and cheeks.

Darling? It had rolled so easily off his lips, he hadn’t even noticed he said it.

It took a minute before Harrison realized how close they really were. He reluctantly pulled his hands away from her waist. As he did Emma broke their eye contact and took a step back, bending down to pick up the fallen cup.

“Ill uh.. I’ll buy you a new one” Harrison spoke, Emma looked up at him as she stood.

“No no you don’t have to really” She shook her head “It’s just a coffee. It’s not a big deal” They stood there for a moment, neither speaking, Harrisons hands in his pockets as Emma’s fiddled with the now empty cup “I should uh” Emma wet her lips quickly “I should get going” she barely looked up as the both nodded and she walked towards the trailer.

Once she was inside she threw out the cup and grabbed a paper towel to wipe off the drops of coffee that had bounced up onto her legs. She placed her stuff on her desk and dragged her chair over to Michaels desk.

“You wanted me to listen to something?” she said as she sat down

“Yeah yeah give me one second” he said placing a few final notes in the composition program before hitting play on the theme he had written so far for the movie. After about four minutes, what he has so far ends. He looks towards Emma with a questioning glance “So?

“I uh It’s amazing obviously but.. I think it should have less to do with that triumphant superhero stuff you’ve got going on and more towards Peters loyalty and concern for his friends. I definitely wouldn’t scrap this though, maybe just not for the scene you’ve got it for” Michael nods as Emma speaks. Adding little “hm”s and “okay”s here and there.

“How about this. I want you to write it for this scene” Emma’s eyes widen in shock.

“Waitwaitwait you- I- you want me to write part of the score?” Emma barely stutters out

“Well yeah. Your name doesn’t get put in the credits unless you actually write something because technically you work for me not marvel and I want you name in there as badly as you probably do. So if you write something, you get credit.” Michael looks over at Emma, her jaw dropped. “I’ll take that as yes but Emma you’re going to catch flies. I have a meeting to go to now but you know what to do” Michael grabbed his bag and left.

Heres some writers that let me tag them :)

@cherryhollands @darlintom @starksparker @starksmile @hollandroos @marvelellie @dej-okay @h-osterfield @upsidedownparker

Taglist: @rainbow-marvel (thanks :))

#Harrison osterfield #harrison x oc #harrison osterfield x oc #haz osterfield #haz osterfield x oc #haz x oc #haz #october fic

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toyfrog · 8 years ago

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Name Not One Man Blindspot Breakdown

Blindspot Breakdown Name Not One Man There's a lot going on in this episode. Also are we prepared for a shocking death? Who could it be? Well based off breakdowns and the storylines these are the top three:

Allie---this one has been pretty obvious since episode 1. She's leaving for Colorado what city is in that city? Aurora. Second, the plan never was about Allie/Kurt getting back together, it was about Kurt being human and being the father his dad wasn't to him and his sister. Can Allie survive Shepherd's plan? Or will Kurt have use for that empty nursery for his daughter after all with Jane helping him?

Reade----Dude has been on self destruct mode since Freddy reminded him he was a sex abuse victim. He flipped out and let Freddy take the knife and kill Jones. But now Tasha who never minds her business is involved, and with coke head ex girlfriend of Freddy's knowing what REALLY went down, a recipe for disaster is created. Will Reade survive?

Tasha-----Her busy body attitude and thrill to walk the line is pushing her to the edge. With Reade now with a substance abuse problem could she become victim? You decide.

My money is on Allie.

1 (guard) Stop! Uhh! (grunting) Kurt! Kurt! Stop fighting! Get off me! You're in a lot of trouble, Cadet Weller. [how cool was this scene? Isn't anyone curious what Young Alice or Remi looks like now?] This is the third time you've broken your curfew, and you're not even halfway through the semester. [the leader who barks orders, was a ruler breaker. This side is coming back slowly.] I thought this was a school, not a prison, sir. We have rules.Where were you sneaking off to? I need to check on my sister. - Why? - My father She can't defend herself. He's a monster. [This is plot point. Who else is a monster? Shepherd according to Roman. What does that make him? What does that make Weller? Back to Taylor Shaw.]

I know you're still angry with your dad for sending you here. [Yes that is it and guess who his father sent to watch him?] No, that's not it. [Ask yourself why he was sent there and where was he before?] This is your last warning, Cadet. Expel me. I hate it here. [Yes he wants to go back to.....???? But was deliberately torn from????] No you don't get off that easy. You need this school more than you know. Now go outside and wait for security to escort you back to the dorms. Quite a mess you've gotten yourself into. It's okay to be angry. [This is plot point. Shepherd has said this all season long.] Anger's good. But you have to know where to put it. [Shes right about that. So she has Weller put it on the "death" of Taylor Shaw, and His father...and the death coming up. This is all foreshadowing.] Giving a school guard a black eye is short-sighted. You get kicked out, then what? No education, no prospects. Doubt you could do much for your sister if you can't even take care of yourself. To really protect people you need power. This place is the first step in getting it. It's not too late to do the right thing. [Okay this entire entry is plot point. His reasoning to go into the FBI-How Shepherd sees Weller--Her special one. Like Oscar. Her "chosen son" now you need to ask WHY Did Remi want to include Weller? "this doesn't belong to you." ] (woman) Ma'am Colonel Nix is ready for you. [And here she mentors and guides him Sonny the time he's put into "The Mets" he's conditioned. That's why Shepherd taunts. Why Daddy sent him there.] Good luck, Cadet Weller. It couldn't have been the only time that I met Shepherd. [Nope it's not..] Maybe being back here on campus will help you remember. [Baseball, the killing of Sean Clarke and believe it or not Patterson will trigger things for Weller.] Even if you only met her that one time, you know that she was watching you here. [Plot point] The basketball game, the yearbook photo, the graduation video. [like a MOTHER?...Who couldnt have kids. Who didn't legally adopt Remi and Roman?. Ellen Briggs is tied to Weller's father.] How does all of that lead to my name being on Jane's back and being part of Shepherd's plan? [Yes that is the mystery and why Patterson is crucial] Well, hopefully the Commandant can help fill in some blanks. - And if he can't? - One step at a time. We don't have time, Nas. [Always negative towards her now. Cannot wait for Jane to learn these two were banging even tho it ended in previous episode.] You sure you have to go in today? I mean, look at what's in your bed right now. [Read sleeping with the opportunist. Self destructing. Hot mess even tho he inspects his tie to be date straight.] No, I gotta go in, Niki. Okay, you gonna call me? Yes, absolutely. [Stalker! Will she get Reade or Tasha killed?] You don't have my number. [He didn't want it either.] Okay, what's your number? (Zapata) Missed you at the gym this morning. [Because Reade is not taking care of himself.] I overslept. Really? You never miss a workout.[Now that he's on coke he will be missing a lot.] There's a first time for everything. Well, it's just us, Three Amigos. Weller wants us to run a tattoo down while he follows a Sandstorm lead with Jane and Naas. All right. What do we got? Okay, so, as we all know, the text on Jane's back is a mish-mash of various passages from famous literary works. Buried in there are Bible verses from the book of Genesis, including Genesis 3:25. "But it was the Father who sent his envoy, the serpent, to tempt his children and lead them astray. [Not only does this passage not exist, but focus on the meaning. Who's the Dad? Shepherd is the Mom...So who tempted Weller? Remi, Roman? 😉] " I haven't been to church in a while, but that doesn't sound familiar. That's because it doesn't exist. [Right it's plot point] There is no Genesis 3:25, but this morning, one of my systems picked up the phrase "Genesis 3:25" over some chatter, and I was able to track it to a man named Jared Wisnewski. [Now we go into subplot. Here's what's important-Weller orders Patterson to dismantle Omaha.] Single guy, runs a local farmers co-op upstate. A few hunting rifles registered to his name. Okay, so a mild-mannered farmer references a Bible verse that doesn't exist in the chatter? - Barely a lead. - I thought so, too. But the coincidence didn't sit well with Weller, and he wanted us to dig into it. [Because he's heard it before. Also did we see this conversation between Weller and Patterson? No. It is a redirect of the arc to establish main plot. Show is back on track so get ready for serious shock n awe.] How exactly did this alert your tattoo database? [Omaha....you know what Rich Dot Com knows about? And what Patterson learned from Borden.] I don't want to bore you with the intricate details. [Plot point. Patterson is having trouble HEARING she needs Omaha to pick up the signals she's missing. This supports episode 1 Weller Shouting at her and he does it throughout this episode because it ties into back 9. We are at 03/13- nine episodes to go. Three more then winter finale. It's coming to a head.] - Since when? - It's It's just It's a whole mess of algorithms and just so much math. [And she can't deal with any of it anymore] All right, we're gonna head up to Wisnewski's farm and see if we can find anything. - Let's move. - Let's move. You should have seen Kurt back then. [Oh we cannot wait to see the cute youngin with Alice thinking it's Taylor Shaw] Spent more time in this office than class.[Because he was a rule breaker for one girl!] Can't believe he turned out to be an FBI agent. -[Ah yeah conditioning will do that to ya.] Assistant Director of the FBI, actually. [Power like ashepherd said, and no coinky dink. Proud Jane of her boo.] Impressive. [Indeed. This chick is the reason Weller will be returning.] You both work for the FBI, too? Sure. [That woman knows who Jane is.] (Weller) Any idea who she is? (chuckling) That's Ellen Briggs. [Go back to her speech about the poisoned lake the water, cancer, her brother, the photograph she showed Jane. Plot point.] What was her connection to the academy? Ellen was in the Army. She visited once a semester to talk about her work serving abroad. Spent a lot of time in Africa, [The orphanage...The murder of Alice and Ian's parents] the Middle East. [Borden and Nas.] And she took a real interest in you. [Because she adopted Weller from his dad!] What do you mean? Well, I was this close to kicking you out of here, and Ellen convinced me you deserved another chance. [Yes like a mentor, mama who could not have children of her own would.] I don't understand. She convinced you? You could say that. What aren't you telling me, sir? Your dad, he was having a hard time covering your tuition. [And the Father sent his children astray....] She offered to sponsor you. [More than that.] My scholarship came from a state-funded lottery. No, it didn't. Ellen wanted to remain anonymous. You're telling me that Ellen Briggs funded my entire education? She saw something in you. [He was SPECIAL!] Anything? Yeah, you could say that. [He will reveal this to Jane when the time comes. Right now only person he truly trusts is Patterson.] Great seeing you folks today. Tell Shepherd Kurt Weller was just here. He knows. [He knows some not all.] Let me reintroduce you to Shepherd, otherwise known as Ellen Briggs. - What'd you find? - More than we had, less than we want. [Yea like Pandora's Box. But go back to episode 1 of this season it's all in there.] Even the simplest information is hidden behind layers of military security clearances and encryption. But now we know that she was a Major General, Deputy Director of the Defense Threat Reduction Agency. Holding such a high rank in the military would explain how she had access to some of the classified information on Jane's body. And why she'd have friends that have access to the rest. [Plot point.] Most of her record is heavily redacted or just missing from the system entirely. I've been searching for connections, and one name popped up Sean Clark. He was a training officer at Fort Meade when Shepherd was stationed there. They worked together for years. [He recruited for Shepherd.DC] But then there's this. Clark retired from a post at the DOJ a year ago, then suffered a stroke. [[When Mayfair was killed. Plot point.] He's been at an assisted living center in Westchester ever since. It took some digging, but the shell corporation paying his bills has connections to the same one that sponsored Weller's military school scholarship. [Now the name to this will be intriguing again it's plot point.] So Shepherd's paying Sean Clark's medical bills? That means that he's important to her. We've got to go and talk to that guy. Let's move. So, you just overslept, huh? [Busybody sis up in his business but cares.]You know you can still talk to me about Coach Jones, right? [We are now going back to what Zapata did with the knife Freddy used. And what darling Nikki truly knows and if Freddy is still alive.] Jones is dead. That doesn't mean what he did goes away. [Nope not yet.] Do you ever think about maybe trying to talk to somebody, trying to deal with [Foreshadowing.] There's nothing to deal with. Jones is dead. It's over. [Wrong!] Hello? No car in the driveway. It's a big farm. Let's check around back. - Home shooting range? - That seems a little excessive. I don't remember him having an AK-47 registered in his name. This guy's got a huge stockpile of automatic weapons. And all the ingredients to make an ANFO bomb. - I'm gonna call in a warrant. - I'll let Weller know. Ellen Briggs what can you tell me about her, Mr. Clark? She's gone. [Plot point.] She's gone where? Three-two count. Backdoor slider. He Gibson, he cracks one to the bleachers, and she's gone. Yeah 1988 World Series. [Plot point! I was 18 how old was Weller? Remi? Roman? Weller was 16-17 in 1997] Sean, do you remember me? I'm Ellen's daughter, Remi. You're not on the Dodgers. [nope! Go to baseball teams and their original locations. Dodgers LA. Or Brooklyn Mets NY nationals D.C.] Excuse us. I just talked with Sean's doctor. His stroke resulted in significant brain trauma. His vascular dementia is better on some days, but Yeah, well, we caught him on a really bad day. Perhaps that's why Shepherd isn't afraid of him talking. [Oh yes she is.] It's another dead end. All he can remember is baseball. [Plot point.] Wait, maybe talk to him about baseball. I mean, familiar things help me with my memories. Mr. Clark, do you like the Pirates? [Pittsburgh] Cordova and Rincon's combined no-hitter in '97? [In 97 where was Weller? The Academy and....?] I almost went to that game. [Plot point why didn't you?] I know you. [Baseball] How? From where? You play on the Mets. [New York FBI] You should have been a National, [DC j Edgar building] but they could never let that happen. Never. [Sandstorm.] Thank you, Mr. Clark. You have a great day. [Weller is spinning watch the camera angles it's deliberate. Spin shot in fed building. The dolly track shot with the truck. All this is foreshadowing. Deja vu for Weller] (Zapata) Welcome back. We seized a huge cache of automatic weapons, demolition charges, nitrogen fertilizer, and diesel fuel. Wisnewski isn't a mild-mannered farmer. He's using his farm as a domestic terrorist training camp. [What a coincidence. That's what Shepherd was doing with Clarke too.] So he's making an ANFO bomb? ANFO? Aluminum Nitrate Fuel Oil explosive. Same type of bomb they used in Oklahoma City. - Where is this guy now? - We have a BOLO out on his car, and we're tracking his credit cards. - Oh, my God! - What? We just got a hit on facial recognition for him. (Weller) Where? Here, in this building. [And the leaks keep on coming. Foreshadowing.] He just exited the third floor elevator. Counterterrorism Division. Down! Stop! Get on the ground! On the ground! - Are you armed? - No. What are you doing here? Is this building a target? I don't understand. I'm an informant. I work for the FBI. [plot point] Are these really necessary? I'm an informant for you guys. You're not in our system, and our informants don't usually make bombs in their backyard. Agent Boyd can vouch for me. He's on his way in, but right now, you're gonna start talking to the both of us. I run a farmers co-op upstate. A lot of us in the community were angry. The government is pushing us off our land. First, in the '90s, it was a freeway. Now, it's a gas pipeline. [Environmental issues here. Gas pipeline, poisoned water Lake Aurora...] People can't make a living anymore. Agent Boyd was concerned that the anti-government sentiment could lead to a homegrown domestic cell. He wanted me to keep an eye on things, report back. I identified a few key people that were angrier than others - and passed those names along. - All right. So, how does passing on a few names turn into a terror attack? It was Boyd's idea. (Reade) Come again? Are you saying an agent told you to start building ANFO bombs? He wanted me to gauge the group's interest in acting on their anger. The pipeline is gonna break ground on March 25th. [Check the date Blindspot people! Where are there pipelines for fracking?] He wanted to know if that was an enticing target. I brought it up. People went along. March 25th. Genesis 3:25. [Nice but who's the Father. 😂] That's the codename for your pipeline attack? Genesis means the beginning, and we were gonna end it. By what, blowing it up? Boyd and his team were gonna swoop in before anything got deadly. [Ike Waco. A no no.] What you're describing is entrapment. [Yes] Now, my office does not radicalize people or create a terror cell just to take them down. - Agent Boyd. - I can explain this. (Weller) Stop. My office, now. It's a successful program. I wouldn't know. There's no record. Well, I couldn't leave a paper trail for - this kind of operation. - Yeah, because it's against the law. These people would not be planning this attack if you hadn't have given them the idea. I'm just moving up the timeline on the inevitable. These people are angry. They hate the government. Yeah, and that does not make them criminals. Look, if we don't root out this kind of stuff now, we'll be dealing with the aftermath later. Think about Ruby Ridge, Cliven Bundy, Timothy McVeigh. [your hints to phase 2.] I'm shutting you down, Boyd. You pull the plug, this group will carry out the attack without Jared. [Plot point.] Not if we arrest them first. We don't have the evidence to make arrests. This was all about getting them for the big attack. And we've got Jared's weapons and his bomb materials. A third grader could make more ANFO, and you know it. We let this go, and something bad is gonna happen. [Foreshadowing] I want you to put together everything that you have on this and then give it to me. I will decide whether this op moves forward or not. [Me me me me that's power baby! It's also a leader's archetype. Vanquishing control is not an option. See Shepherd.] We were hoping these photos could help you remember something. Who is she? You remember her? [Ian is remembering.] I have this feeling. [He can't feel remember?] It's hard to explain. I can't I can't remember her, but she feels familiar. [Dr Sun stated he can't FEEL anything. Jane swore in previous episode he can. And Weller warned her about getting manipulated.] I know her, don't I? That's Shepherd, our mother. Her real name is Ellen Briggs. She was an Army General. I need to know everything about her. Well, we don't know much right now, and the files we found on her are mostly redacted. I need to see them. [Thats an order Jane.] I'm not sure that the FBI is willing to hand over classified documents to someone in custody. [Normally they don't. So why does Nas green light this and yet you never see Jane and Nas discuss it?] I know her, I Look, I know it's frustrating and How am I supposed to help if they won't share everything with me? What are they hiding? I'll talk to Nas, okay? - You okay? - Yeah. I'm doing great. What's going on? How exactly did you crack the Bible verse tattoo? [Barking orders again] You told me on the phone you picked up the phrase on some chatter. [Did we see it? No show not tell that's how you know it's a rewrite.] You're never this interested in how I solve the tattoos. -[Weller is a dog with a bone] This one points to an off-the-book program being run out of this office, so I need to know what is happening under my watch, and I need to know now. [Omaha is compromised] Uh, okay. I linked the tattoo database to a secret NSA data collection program. [Nas remember? Go back to Rich Dot Com episode.] Omaha? Nas told me it's very similar to Daylight . Daylight on steroids is more accurate. [Like Rich's brain and its moving too fast for Patterson] So you've been using illegal wiretaps to solve these tattoos? - [Ah yup! Because she has A HEALTH PROBLEM!!!] Patterson. - This was the first one. - Really? - I know it's just, I have to use every resource that I have. [Because she wants to nail Borden no longer feel victimized and is having trouble picking things up like she once did before. This is all foreshadowing. I knew Jeff King's script with Rich Dot Com was redirecting the show.] We're running out of time to figure out what all of this adds up to. [Patterson is a control freak too. And this she says is key time is running out phase 2 is coming.] That is my call to make, not yours, understand? [Yes Sir boss sir!] As much as I want to shut this program down, we can't risk an attack being carried out by this domestic cell. [Oh he shuts it down but the breach is made. Damage done] Great, I've outlined a way to wrap this up in three months. [Lets see that's MAY!] Forget it. This is my op now. We do it my way. [My Way or the highway. Just likeShepherd. Weller was not a nice person back then...] - Sir, with all due respect, I've been working on this for two years. Yeah, and you messed it up, so you want me to keep you on this, tell me everything that I need to know. [yeah we need the plaaaaan] These are the players that Jared planned the pipeline attack with. So what do we know about them? Tom Moses, cattle rancher who turned a peaceful community protest into a small riot. The incident ignited this powder keg in the first place. His cousin Kevin Pabst is a distributor who brings the co-op's cattle to the market. And lastly, Tess Bartell. [The chick in the truck] She served two tours in the Iraq war, took over the family farm when she returned. What about the rest of the community? Are they aware of an attack? A few other people in the community were interested in joining the cause. [plot point]We were gonna read 'em in soon. Let's focus on these three. We'll make arrests when we've got enough evidence on them. Jared's been out of contact with them since your team raided his farm. He needs to let 'em know that the plan is safe, that the attack can still move forward. [Onward March!!!] No. I don't want him out in the field again. He's the leader of the group. If he disappears, they'll know something's wrong. We have a prearranged meeting spot that's easy to surveil. I can do this. - (ringing) - (Tess) Jared? Hey, Tess, listen. Your place is crawling with cops. I'm fine, but we have to talk. Get Kevin and Tom and meet in the normal spot in an hour. No. The orchard on Old Post Road. What's wrong with the usual spot? It's secure. If the Feds knew about your farm, they could know about our meeting spot, too. Tess, there's no way they could know about that.[Inside leak] See you in an hour. (call disconnects) (whistling a tune) This is not a good position. Not one sightline to where they're meeting. If we get any closer, they'll spot us. We'll know everything that's going on through the mic we put in Jared's truck. (Zapata) We got something. A jeep and a bike approaching from the north end. (Weller) Got it. Stay sharp, team. Anything seems off, we move in, make the arrests. - Copy? - Copy that. (revving) How the hell did the FBI know to raid your farm, Jared? Nosy neighbor. I'm just lucky I wasn't home when they stormed the place. They got the weapons and the bombs. They could know everything. Nothing pointed to our plan or to any of you. We have to stay the course with Genesis 3:25.[Plot Point.] The pipeline is months away from breaking ground. [Plot point may season finale] We need to gather the others and strike today before the cops launch a full investigation. Strike what? Where? Watch the news tonight. You'll see. Tess, don't cut me out! I started this! You're a fugitive now, Jared. You need to lay low. I need to know what you're targeting to make sure that it has a real impact. You don't trust me? Or is something else going on here, Jared? Tess, what are you doing? Please, put the gun away. Jared's blown. Let's pull him out. He can handle it, she's about to change up the target. Team, move in! (tires squealing) Why didn't you answer your phone all day, Jared? You're being paranoid. Are you trying to set us up? You working with the Feds? We've come too far to let you ruin it. It's over. Put the gun down. The FBI is listening. (gunshot) Go! (Reade) Weller, Tess is headed to you. (Boyd) Stay on her. Show me your hands! Show me your hands! (gunfire) (Reade) Get on the ground! Now! This is everything that we have on Shepherd. I've included images of Fort Meade and Fort Hood. Location to both of these are? [DC Maryland and TX] That's where we know she was stationed. Does any of it seem familiar? No, none of it. Just her. If her name is Ellen Briggs, does that mean that my last name is Briggs, too? We didn't find any record on you or Jane. [Nope because YOU DONT PLAY FOR THE DODGERS] There's There's no proof that she was ever legally your mother. Why wouldn't she have adopted us? [Because it's all about Weller.] Well, maybe she did, and then the records were erased. [Dont drag this one out guys] Roman, there's still a lot more that we don't know about her. [What team did you play for Roman?] It doesn't make any sense. What? These files, they they show a soldier who betrayed her country. A terrorist. That's not what I feel when I look at her. [But but Dr Sun said he cannot feel anything?] It's something different. Something warm. [Ah how nurturing. Remember when Roman said, "I want my sister back?"] You were taught to follow her your whole life. It makes sense that you would feel this deep connection to her. [Wrong!] But if I have these feelings toward somebody who is such a monster what does that make me? [A monster??? We will find out when this all wears off!] You could have stopped this months ago. You didn't. Now Jared is dead. - We can salvage this. - How? This group is out there with plans to hit a new target today we've got no idea where. We have a warrant out for Tess Bartell's arrest. We find her, and we drill down. We won't be doing anything. [Weller on the warpath] Hand in your service weapon and your badge. Your career with the FBI is over. [Foreshadowing] - Any luck tracking Tess down? - We've got nothing. [Thats my daughter's name] She ditched her bike and has gone completely dark. Field agents are talking to farmers who might be involved. So far, we've come up empty. What about possible targets? Kevin isn't talking, and there are five construction companies working on the pipeline. (Reade) The project had to be signed off on by a dozen state officials. Any one of them could be a target. I want agents at every one of those places. - (electronic tone) - Oh, no. - This is bad. - What? Uh, a farming supply warehouse five miles from the orchard reported a robbery. 1,000 pounds of nitrogen fertilizer and a dozen drums of diesel fuel. Tess didn't steal that much by herself. She has help. Now they've got enough explosives to level any building. (beeping) I understand you're angry. I was, too, when I discovered one of my agents was running an op targeting innocent people. [Plot point]

I've seen what happens when people in the government abuse their power, and it's not something I stand for, so give me the chance to make this right before anyone else gets hurt. I just wanted to keep what was mine, my family's. We're losing everything to that pipeline. And that's not fair, but neither is killing innocent people. I never wanted to kill anybody. Yeah, but Tess is a different story. We know she's planning on targeting something big. Kevin, everyone that she kills will be on your hands. Can you live with that? It's not too late to do the right thing. [Its NOT TOO LATE TO DO THE RIGHT THING thats what Shepherd told Weller-tagline is plot point for back nine] Tess blames the Bureau of Land Management.[Tess blames BLM like our Cliven Bundy, Shepherd blames govt and EPA for the toxic water causing cancer killing her brother] They've been carving up our properties for decades. Their headquarters are here in Manhattan. The federal building on 57th. That's what she and the other farmers are gonna hit. I'm sure of it. Thank you. (sirens) (people clamoring) Go! We're evacuating the building, but getting 50 floors of people out of here - takes time. [Recall this spin shot? Director giving a panoramic view to demonstrate how Weller's mind is losing control. People who want complete control, lose perspective. Mad foreshadowed that to Weller in previous episode.] - I've got it. - Where's the bomb squad? - They're doing a sweep. So far, nothing, but, you know, they've got a lot of ground to cover and not enough agents yet. We'll help you with evacuation. Guys, I want you to set up a perimeter outside. Go. Tasha, Reade, you three, search down the street to the underground parking lot. Go. Service hallways how many? Where? One on the west side and one on the east. Both go to loading docks. - Okay. Jane, with me. [Jane is ALWAYS WITH WELLER NOW NOTICE?] - Copy. I'll take the east side. Stay on comms. - Let me know if you see anything. - Got it. - (Patterson) Guys, we have a problem. - What is it? A truck just blew through three red lights heading west down 57th, headed straight for the federal building. On it. (people clamoring) (booming) (Weller) Got eyes on it. Team, move to the street now. Stop! Stop your truck! (gunfire) Tess, freeze! Both of you! Get down on the ground, now! [And the SCREECHING HALT GOD BLESS THE DOLLY GRIP! ] You're surrounded. Back off! Give me the detonator. Or what? You shoot me, I blow the truck, and we're all dead. You've gotta listen to me, Tess.[This speech is foreshadowing] - You don't understand. - We do understand. The system does have problems, but killing innocent people isn't the answer. This is the only way for our voice to be heard, the only way to make things change. You're a soldier, right? So you've seen what happens when people use violence to send a message, how many lives it destroys.[Foreshadowing] That is the easy way out, and you know it. Soldiers are trained to do what's right, not what's easy.[This line is what Weller will be faced with in the back nine. Do what's right not what's easy. That supports "it's not too late to do the right thing"] You need to give me that detonator, Tess. Hey, look, a friend of mine at the Justice Department is running down original copies of Shepherd's redacted service record. It's a long shot, but it's something. What else can we do? Any break we can catch right now will help. I heard what happened earlier. That was a risky move you made, standing in front of the truck like that.[Here comes Nas...missing Weller since they ended. But she ain't getting him] I had to stop it before it hurt anyone else, to get it back under control.[He won't have control over what's coming up soon it's going to tear him up] The off-the-books program? Or something else? [Something else. Plot point.] It's a control freak's worst nightmare to find out that someone else was at the wheel for the most crucial parts of their life.[Yes! Shepherd, Allie, Oliver, Mayfair...his Father.] You think I'm a control freak?[Ah yup. Establishing his archetype.] Shepherd may have once had a say in your future, but, Kurt, don't let her drive you mad today by second-guessing your leadership over this office.[Foreshadowing Nas knows when is it coming out that she knows.] If someone else was sitting in that chair, they might have seen Agent Boyd's program sooner. I've just been so focused on Sandstorm.[And Jane, and the baby, and Allie moving away] And personal complications? [Ah yes Nas has got no shot. That's why Oliver is crucial to story now--Jane...Jane...Jane...Allie...Baby..losing control..] Yeah, that's part of it. Great leaders know that it is impossible to take everything on themselves.[They need a co leader. A team. Weller has to lose perspective before that happens.] You do that, and you really do start to lose sight of the bigger picture.[Foreshadowing] But as a leader, there are some things I can do better. [But as a Man, we need a sledgehammer.😂😂]

You want me to stop using Omaha?[Plot point here comes Rich dot com, and pressure now on Patterson.] Using illegal wiretaps or invading the privacy of citizens is exactly the type of corruption that we need to stop.[Go back to Rich episode where he tapped Weller's apartment.] Omaha could help us find Shepherd and Borden before it's too late.[Borden Borden Borden...Patterson is dancing as fast as she can.] What if we only use it for that and not the tattoos? [Lets use it to find shepherd and Borden I'm willing to break the law for justice! Foreshadowing] Patterson, what you've gone through, that is unimaginable. I can understand you're frustrated, but there has to be a line.[Leaders are the first to bark about the rules, they do their best to maintain perspective. Weller is losing it. Patterson is spinning out.] You know it. So, we will find them, and we'll make them pay, but it can't be at the cost of compromising yourself.[Foreshadowing.] Okay. - I'll disconnect Omaha from my systems. - Thank you. But there's something you should know before I pull the plug.[Plot point] - What did I just say? - It's about Sean Clark. I ran his name through Omaha, and I got a hit on an archived wiretap, a recorded phone conversation from last year. (Mayfair) Sean Clark, wonderful to hear from you. (Clark) It's been a while, Assistant Director Mayfair. - Holding things down in New York for us? - Trying my best. - Why would Mayfair and Clark be talking? - Just listen. (Clark) Look, I'm calling about the agent you put up to run the DC office.[Mayfair put Weller up for a promotion...what are the chances Pellington had something to do with killing it?] He's the best I've got. I think it's a little premature for him to be a candidate. He should spend some more time with you in New York before taking over an office of his own. He's a bit raw, to be blunt. Well, that's one word for it, but he gets results. I'm sure he does, but if he stays in New York, I think he can do great things.[ "He's a Met!"] All right. Your mistake is my gain.[Your mistake is my gain"-no Clarke said he should've been a national. He was forced to do that.] You'll see someday.[Someday is this season. Mayfair was murdered so Weller could take over NY Fed Office.] I hope you're right. Take care, Bethany. She never told me that I was up for that.[Now the leader questions if he was promoted by his work, or was it a kingmaker?] Maybe she didn't want to get your hopes up. Clark blocked the chance for me to be promoted, to relocate to DC. He wasn't just talking baseball gibberish.[Nope plot point. Patterson will figure it out.] What do you mean? He told me that I was playing for the Mets, the New York Mets, but he said I should have been a National. The Washington Nationals. He was trying to tell me about that transfer, but he said they could never let it happen. [See? Patterson will figure this all out before it's too late-start thinking riddles Blindspotters! Baseball, FBI, Black Ops, CIA, "Teams" locations.] "They" being Sandstorm? That phone call was from last year, so Shepherd wanted me to stay in New York, to be here when Jane showed up in that bag.[Yes. And for Oscar to kill Mayfair so Weller is promoted. Oh Pellington?🤔] What else does he know about Shepherd and her plan? [Back Nine people! Play ball!!😂🌟🌟🌟] Uh, we still on for the gym tomorrow? Yes, and I promise I won't sleep through my alarm this time. I'm sorry if I pushed you earlier. I just wanted to make sure you were okay.[Hes not as we know! Foreshadowing!] No, I appreciate it. I do. For the first time in a while, I feel like I can breathe, like I can have fun again.[Lie. Reade is self destructing.] Who is she? - (laughing) - It's not even like that. [No it's not Nikki chick is bad news and is going to get Reade and Tasha in trouble.] Well, you'd better not mess this one up.[Plot point.] - Tasha. - I'm serious. You deserve to be happy, so don't let anything get in the way of that, including yourself. [Major foreshadowing.] I know how you get. Yeah, I know. I will see you tomorrow. Good night. -[Notice the Romance is completely scrapped now? It's forewarning to a friend she cares about on the brink of destruction. Not good.] You were trying to tell me about a promotion you blocked. You did that for Ellen, didn't you? You kept me from going to Washington. Why? You were supposed to be a National, but your career is with the Mets. [Career is where Pellington wants him, remember? That's why he wants Nas out of there.]

Ellen wanted to keep me in New York. You're the face of the franchise, her star player.[Youre her Baby boy Weller!] Why is she so invested in me? You're a Met. You have to be a Met. [Just like Jane. She's not on the Dodgers] You don't understand. I don't. Help me understand, Sean. It's the Truman Protocol.[Now this I need to look back and see if this is mentioned because this is REAL.] It's everything.[I love puzzles. I'm gonna ask my friend who worked in CIA...] But no one knows. What is the Truman Protocol? Someone could be listening.[Wiretaps! Remember Omaha?!] Let's go to your room. We can talk privately there. Hello, Kurt.[THIS WAS MONUMENTAL I WAS ON THE EDGE OF MY SEAT I LOVED IT BECAUSE ITS MAMA COMING TO SCOLD HER "son"] (beeping) Hey. What are you thinking for dinner tonight? You want Chinese or Indian, maybe? Why all the killing? [Truman Protocol!!] What? Nas showed me the files.[Nas knows. She is not in the dark people she knows why Weller is there] The attacks, the bodies Shepherd has dropped over the years, all of my crimes, what's it all for?[Truman protocol!!!] I want to understand why I'd follow someone like her. [Jane doesn't have an answer because she doesn't know. Remi does.] She believes the system only serves those in power instead of the people it's supposed to. Is she wrong? Seems like the government controls everything. Look at us, I'm I'm stuck in this box, and you're forced to work for them. How do you know you're not brainwashed now? [Who thinks Roman is playing Jane raise their hands?] We're on the right side of this.[Foreshadowing. "It's not too late to do the right thing," Remi and Roman soldiers like Weller.] Look, Shepherd's beliefs may seem noble, but she doesn't care who she hurts, and whatever feelings that you're having for her, that's what she used to control you. [and her and Weller.] She uses people, just like the government, and I help the FBI because I want to. [Free Will!] No one is forcing me to do anything. They tell you where to go and what you're allowed to say. Every minute of your day is spent doing something that they want you to do, I mean, when was the last time you made a decision for yourself? [Now not only is this plot point but think about Why Roman would want his sister to put herself First? "I need my sister back!"] (laughing) Hey, you want another drink? I'm gonna make a drink. Your finest vodka soda. I don't drink soda, girl. [Plot point!] I got juice, though. I could make you a screwdriver. At least there's some Vitamin C in this. Okay, nerd. - Easy. - (laughing) You do realize I work for the FBI, right? [You are in over your head Reade.] Oh, get your cuffs out. Didn't you leave Freddy for this? I left Freddy 'cause he was out of control. This is just fun. [Bull. She's the one ]who got Freddy hooked.] (snorting) (laughing) You know, sometimes I look at you, and I feel like you've maybe never had a carefree day in your whole life.[Dont you hate bullies? They're enablers they thrive on manipulation to control others and once they got ya, they screw ya.] You gotta learn how to relax.[Theme of back nine, fun, self indulging, recklessness, loss of control. All connected all foreshadowing]

Hey, not bad for a first-timer. [Shes *Not* a first timer. That's the point. Lol OLIVER!! The sexy Aussie! Fear not Jeller fans, this portion of story is much more complex than you think. "This doesn't belong to me." SO WHO DOES IT BELONG TO?🤔😉] Thank you. I still can't believe you have never played Skee-ball before, how is that even possible? [Pish Tosh Oliver...you just want her no matter what.] I know we said the past is just the past, but this is much more mysterious than your tattoos. [Foreshadowing subtext!!! plot point key point of story. ] Well, let's just say - I had a very unusual childhood. [Yes Oliver notice he doesn't ask about it? Why?😉] - Hmm. So, what will this get us? [I want a sex scene but that's me I have no idea if we will get it but a kiss is definitely coming and i love the subtext.] Uh, how does a brand-new - pencil eraser sound? - Kinda boring.[Yeah Oliver is definitely taking Jane out dressed to the nines. Necessary now that Weller is losing it.] - (both laugh) - What about a plastic set of vampire fangs? [Plot point] Better. [Lets go to the DARK SIDE...] You know, I thought I was never gonna hear from you again. -[And that made Oliver very very sad.] Thought maybe I'd screwed it up. [Dammit Gero!! I LIKE HIM!!!] No, it wasn't you. I just, uh I needed to see things differently.[Oh that's coming...soon.] Well, I'm glad you did.[Holding hands awwww with the spider web tat on her hand. Yeah. Significant. There's no rush to this build up.] Um, wow. How many tickets is that? Uh, thousands. Many thousands. Are you saying we can't do it? [Sex!] Oh, we can do it, but that is gonna take a serious level of commitment. [This is plot point] I'm thinking 30 or more hours of Skee-ball spread over ten or so days - [Foreshadowing-] Hmm. - depending on how your shot improves.[He knows it's going to improve.] But if you want to head down that path, there is no turning back.[Theres the warning. Olivane is coming and trust me it makes sense! No turning back...commitment...to what?🤔😉 "This doesn't belong to me.]

Are you sure you're ready for this? [I am! I've been waiting for Months! Bring it! Show the Jane fans just how long Oliver has waited!] That shark is mine. [Great white alert quite prominent in AUSTRALIA] (typing) (Zapata) I finally finished my paperwork. Have you had dinner yet? Uh, I ate a Go-Gurt. A what? A Go-Gurt, that's what you eat when you don't have time to eat a yogurt. It's like a tube of yogurt. Yeah, that's not dinner.[Patterson isn't taking care of herself but soon she will be] Why don't we get something to eat? Uh, I can't. I'm still trying to ID the reference numbers from Shepherd's redacted documents. Hey, are you okay? Yes. Why does everyone keep asking me that? - I'm fine. [Whenever a character says this usually they're not. It's foreshadowing.] - I think you need a break, maybe a drink or two to de-stress. You wanting me to de-stress is stressing me out. Please, I have so much work to do, and Weller wants me to do it with one hand tied behind my back, and if we have any hope of catching Shepherd and Borden, someone's got to be here to push the buttons because the buttons don't push themselves. [Crash! Time to slow down re evaluate....Borden Borden Borden...] Patterson. Today is an unfortunate day, Kurt. [Yes. Mama is so disappointed.] What have you done to him? I had to use some very powerful medicine to get him lucid. Make sure he didn't say too much. I'm not worried. I've got to say, it's nice to be in the same room as you again. You know, that day we met at the academy, you had so much anger inside of you but so much potential to fight for what's right.[See? There's that, "a soldier must do what's right not what's easy" "there's still time to do the right thing."] I saw a lot of myself in you. [Plot point] Is that why you've been manipulating my life? The scholarship, the job transfer, sending Jane to me with all the tattoos. [Sending Jane to me with all the tattoos, you gotta love it man!] What's it all for? (coughing) Kurt, you and I, we're we're saving this country.[Foreshadowing] I didn't know when I first met you that day how important you would be to all of this. [key plot point. Shepherd says she met Weller that day, but James asked if that was the only time. It's not. So Weller's memory was zipped] When Remi and I formulated the tattoo plan, [REMI HAS BEEN MENTIONED IN THIS EPISODE MORE THAN ONCE. Foreshadowing.] I saw an opportunity to put you in it, and it feels comforting to know that you'll be there to help when the time comes. [Plot point. Remi is coming.] Why do you think that I will ever help you? Be part of your plan? We're the same, Kurt. Don't you see that? We both fight for what's right. We both hate corruption in all its forms. You've seen yourself, first-hand, that this country needs a revolution. We're on the same team here.[Baseball!] How many more will have to die before you realize we want the same thing? [person who dies is significant to Weller. This episode is giving red herrings to whom it might be and the previous episode.] No, we don't. You're a terrorist. That's what the law says. Did you ever consider the law is wrong? [Foreshadowing] Hmm. (inhales deeply) Therein lies the big difference between us. You play by the rules.[Yes but he didn't when he was younger. He broke them. Plot point and his temper could cut...glass] I believe the rules need to change. Only I know what it really means to make sacrifices for a greater cause than yourself. I'm sorry, old friend. Don't! No, it's okay. I had to. You know that. In order to protect the plan. You didn't have to do that! You needed to see that you're not the only one who's suffering here! [Foreshadowing] This is hard on me, too! But it'll all be worth it. I have to go now, but we'll meet again, and you'll have no choice but to join me.[Because of whom.] No. There. You can let yourself out. It's really a shame. In another life we could have been family. [Plot point!!!]

I LOVED THIS EPISODE! A lot of pain is coming for Weller and it's going to force him to doubt the system. That's where Jane comes in. Or is it Remi? Get out those Vampire Fangs...no turning back!

#blindspot #NotOneMan #TheWritersAdvocate #Jeller #kurt weller #Sandstorm

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